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Number 48 • November/December 2005
Contents
CLIR Launches New Agenda by Nancy
Davenport
Asking for Access by Kathlin Smith
CLIR Welcomes New Staff and Consultant
SCI3 Discussions Lively and Wide Ranging by
Amy Harbur
SAVE THE DATE! April 7, 2006
CLIR Receives Mellon Award
CLIR Launches New Agenda
by Nancy Davenport
ON THE EVE of its 50th anniversary, CLIR has launched a new,
three-year agenda. Growing out of a strategic planning session
held by the CLIR Board's Executive Committee this summer, the
agenda centers on four themes: place as library, scholarly
communication, preservation and stewardship, and leadership.
Place as library will be the keystone to the agenda.
The phrase reflects the fact that library resources and services
are increasingly being delivered outside the library's walls.
Library staff are working, often side-by-side, with the creators
of knowledge—in labs, classrooms, faculty departments, and
computing centers. In many cases, libraries and computing centers
are taking on roles that publishers traditionally held in disseminating
scholarship.
The phrase place as library also acknowledges the
potential, in a networked world, for information resources
on campus to become more integrated. Most institutions now
have the technical capacity to share with the outside world
the vast amount of research and information that is generated
on their campuses. Ironically, they often lack the organization
and structures that would allow departments on their own campuses
to easily share such information. For example, a biotechnology
student at a large research university recently lamented that
while working in the lab, she had no means to access information
on relevant experiments (published or unpublished) that had
previously been done there. How can a college or university
ensure that the information resources and services available
on its campus (or through a campus agency) are available campus-wide?
To begin its exploration of place as library, CLIR will commission
a series of "think pieces" on the topic. Then, early in 2006,
CLIR will appoint an advisory group of librarians, provosts,
publishers, information technology (IT) providers, and users.
Group members will use the essays as a basis of discussion
at their first meeting. The aim of that meeting will be to
conceptualize models of user-driven, differentiated services
for various learning communities—models that can serve users
around the clock, regardless of their location. CLIR will identify
institutions that are developing collaborations with other
cultural organizations on their campuses and in their larger
communities and will publicize information on these partnerships
in forthcoming editions of CLIR Issues. CLIR will
then develop and promote intrainstitutional models of a newly
configured and redefined campus library.
Ongoing work at the Digital Library Federation, such as DLF
Aquifer, a second-generation Open Archives Initiative finding
system, and the Electronic Resources Management Initiative,
will complement CLIR's work in place as library.
Scholarly communication, the second item on CLIR's new agenda,
is an intrinsic component of place as library. The current
blurring of traditional roles in the chain of scholarly communication—those
of creator, publisher, distributor, and steward—makes it essential
that we understand how each participant in the communication
process contributes to the creation, dissemination, and retention
of scholarly work. Collaboration among librarians, IT experts,
faculty members, and academic executives is needed to acquire
and distribute new forms of digital scholarly communication,
to develop user-driven services for groups whose preferred
mode of access is electronic, and to maintain and exploit the
rich heritage in our paper-based collections.
CLIR's agenda will address issues relating to new forms of
scholarly practice, the use of digital assets, ownership of
scholarly work, and the functions of the library and university
press in supporting and disseminating scholarship. In 2006,
we will commission and publish two studies. The first will
contain forecasts of scholars' use of digital assets in selected
disciplines; the second will focus on the changing value chain,
from author to reader, in scholarly communication.
The vitality of scholarly communication depends on access
to the scholarly record. Libraries and other collecting institutions
today face formidable challenges in providing access to the
growing print and digital record. New preservation strategies
will be needed to meet the unique demands of digital information
and the challenges of managing a hybrid preservation environment.
The new preservation landscape raises a series of questions
that CLIR will pursue over the next three years. For example,
if managing a digital journal subscription is less expensive
than is managing its print counterpart, how can the funds saved
be reallocated to ensure continuing access to and persistence
of the digital versions? Libraries have partnered to develop
purchasing consortiums: Can preservation consortiums for shared
ownership in print archives be similarly constructed? What
underlying trust, financial, and operating mechanisms must
precede implementation? To what extent will newly digitized
versions of older material revitalize demand for the artifact?
What bearing might the answer to that question have on the
development, location, and operations of print repositories?
The DLF is working on developing standardized ways of handling
the licensing and business aspects of leased digital materials.
CLIR's focus is complementary: What are the preservation questions
raised by long-term access to materials not owned by a library?
Should libraries take on such preservation? What will happen
if they do not?
If place as library is the keystone of CLIR's agenda, leadership
is the mortar. We need to develop leaders with broad perspectives,
an understanding of user groups and their needs, the ability
to work effectively across institutional units, and the will
to effect change in a change-resistant environment. The effective
delivery of the information, services, and education that will
enable scholars to thrive in a virtual library requires flexible,
forward-looking leaders. Building on the success of the Frye
Leadership Institute, CLIR will develop a curriculum and financial
model for a new, self-sustaining program in leadership development
that includes librarians, IT providers, educational technologists,
faculty members, and administrators. The objective of this
program will be to train leaders who can foster greater collaboration
within institutions.
The staff and Board look forward to embarking on this new
agenda. As always, I welcome your questions, comments, and
suggestions.
^ Top
Asking for Access
by Kathlin Smith
REALIZING THE DREAM of creating a rich, openly accessible
digital library requires navigating copyright. A new study, Acquiring
Copyright Permission to Digitize and Provide Open Access to
Books, examines the practical aspects of seeking open
access to monographs whose rights are privately held—that is,
most work published after 1923. The author, Denise Troll Covey,
principal librarian for special projects at Carnegie Mellon
University (CMU), describes three efforts at CMU to make books
freely available on the Internet for public use. Her descriptions
of this process and its results reveal an array of challenges—from
locating copyright holders to defining the meaning of out
of print—but also suggest strategies for success. The
studies show that obtaining legal clearances requires an enormous
investment of time, money, and patience.
Random Sample Feasibility Study
The first of the three studies, the Random Sample Feasibility
Study, was conducted between 1999 and 2001. Its purpose was
to determine how likely it was that publishers would grant
nonexclusive permission to digitize and provide surface Web
access to their copyrighted books and to gain insight into
what factors influence publishers' decisions. The study was
also intended to help project staff understand the process
of acquiring permission, the time it takes, and the problems
encountered so that lessons learned might be applied in subsequent
efforts.
The study targeted 277 titles published by 209 publishers,
selected at random from CMU's library catalog. Project staff
requested permission on a title-by-title basis, mailing a separate
letter for each inquiry. A follow-up letter was sent if the
publisher did not respond. Publishers who no longer held the
copyright in question sometimes returned the letters; in such
cases, project staff attempted to find the current owner.
Ultimately, 21 percent of the publishers, accounting for 19
percent of the titles in the sample, could not be located.
Half of the publishers responded to the request letters, and
more than one-fourth of them granted permission, thereby enabling
CMU to digitize and provide Web access to about 25 percent
of the copyrighted books in the sample. Most of the publishers
who granted permission applied some kind of restriction, ranging
from limiting access to Carnegie Mellon users to stipulating
that permission did not apply to components of the work with
copyright owned by a third party.
Troll Covey estimates that the average cost of obtaining a
single permission was about $200.
Fine and Rare Book Study
The Fine and Rare Book Study was conducted between 2001 and
2004. The effort focused on the Posner Memorial Collection
of fine and rare books and associated archival material. The
materials were collected by Henry Posner, Sr., between 1924
and 1973 and are now housed at CMU. The collection includes
284 copyrighted works owned by 104 copyright holders.
To reduce transaction costs, project staff changed their approach
for their second study. If a publisher held multiple titles
of interest, staff included all the titles in a single request
letter rather than send one letter per publication. Staff also
followed up by telephone or e-mail, rather than by a second
letter, with publishers that had not responded to the first
letter.
Although project staff located fewer of the publishers of
copyrighted content in the Posner project than in the feasibility
study, they greatly increased both the response and success
rates during the second study. Almost two-thirds of the publishers
responded to the request or follow-up letters, and almost half
of them granted permission. This enabled CMU to digitize and
provide Web access to most of the copyrighted titles in the
Posner collection. Publishers who granted permission in the
Posner project applied fewer restrictions than did those granting
such permission in the feasibility study. Thirty-one percent
of the publishers, accounting for 13 percent of the copyrighted
titles in the Posner Collection, could not be located.
Project staff attributed the increased success of the Posner
project to a more informative initial request letter, prompt
follow-up by e-mail or telephone, and the publishers' ability
to see the quality of the digitized books in the Posner collection
on the Web. Also, most of the titles in the Posner collection
were owned by special publishers. The feasibility study had
shown that such publishers were more likely to grant permission
than traditional publishers were.
Project staff monitored the costs of the Fine and Rare Books
Study and found that the average transaction cost per copyrighted
title in the Posner collection for which permission was granted
was $78.
Million Book Project
The Million Book Project (MBP) is funded by the National Science
Foundation and the governments of India and China. Its goal
is to digitize and provide open access to 1 million books by
2007. The MBP is part of the Universal Library Project, a partnership
of Carnegie Mellon School of Computer Science and the CMU libraries.
When the first collection-development meeting was held in
2001, MBP planners decided that 100,000 of the 1 million books
would be works in copyright. (The remaining works would be
in the public domain or would be indigenous works from India
and China.) Project staff began selecting the copyrighted works
to be digitized by consulting Books for College Libraries (BCL).
The 50,000 titles cited in BCL were published by about 5,600
publishers. Because it would be too expensive to seek title-by-title
permission, project staff decided to use a per-publisher approach—to
treat BCL as they would an approval plan for publishers.
Staff asked the publishers of books cited in BCL for
permission to digitize all their out-of-print, in-copyright
books, to digitize all such books published before a date of
the publishers' choosing, or to digitize a subset of titles
of their choosing. The analysis in the report is based on 364
publishers with which staff sought to close negotiations.
Staff located all the publishers that they attempted to contact
in the MBP. As of February 2005, 61 percent of the negotiations
had been completed; the rest were still being negotiated. Almost
one-fourth of the publishers granted permission to include
at least some of their titles in the MBP; altogether, permission
was given for at least 52,900 titles. Slightly more than one-fourth
of the publishers denied permission. Of the publishers that
granted permission, one-fourth did so for all or most of their
out-of-print titles. More than half granted permission for
a specific subset of their titles.
The average transaction cost for obtaining permission in the
MBP was 69 cents per title.
General Findings
The three studies show that however painstaking the effort,
it is possible to secure permission to digitize and provide
open access to books. The following findings from the CMU projects
may be instructive to others who plan to seek copyright permission
for digitization.
- Locating copyright holders is difficult, expensive,
and often unsuccessful. The three studies demonstrated
the time-consuming and often-fruitless effort required
to identify and locate copyright holders, especially
those for older works. Publishers move, merge, or go
out of business, or copyright reverts to the author.
Authors and estates may be extremely difficult to find.
- For very large projects, the cost of obtaining
permission on a title-by-title basis may be prohibitive.
- Obtaining permission to digitize targeted collections
of material is more successful than is obtaining permission
for entire bodies of published work. The per-title cost
of a targeted effort, however, is higher than that of
a nontargeted approach. Standard library practice
is to target designated collections; therefore, the transaction
costs suggested in the MBP may be unsuitable for planning
purposes.
- The likelihood of gaining permission varies among
types of publishers. Special publishers, authors
and estates, museums and galleries, and scholarly associations
were most likely to grant permission. University presses
and commercial presses were the least likely to grant
permission. Scholarly associations and university presses
were more likely to grant access to older works than
commercial publishers were.
- Some types of publishers are easier to locate
than others. Museums and galleries, scholarly
associations, and university presses were the easiest
publishers to locate; commercial publishers were the
most difficult to locate and least likely to respond.
- Publishers who deny permission may fear lost
revenue, may no longer hold rights, or may be uncertain
of their rights. Publishers who chose not to
grant permission to digitize often did so because they
feared lost revenue, even for older or out-of-print titles
that were not generating revenue. Many publishers, particularly
university presses, said that they wanted to participate
but could not because copyright reverts to the author
when their books go out of print. Many publishers noted
that older contracts did not grant them electronic rights
to the books or that they were uncertain of their rights
in this regard. The most common reason publishers gave
for not participating in the MBP was they did not have
the time and staff needed to check their paper files
title-by-title to determine copyright status and ownership.
- Publishers define "out of print" differently
than librarians do. Even though a book may be
listed as "out of print" in a catalog, publishers who
still control rights to a book may view it otherwise
because print on demand can give a book new life.
The study findings are preceded by a brief history of copyright
law and practice. The full text of the report, copublished
by CLIR and the Digital Library Federation, is available at http://www.clir.org/pubs/abstract/pub134abst.html.
^ Top
CLIR Welcomes New Staff and Consultant
Pauline
Roberts has been appointed CLIR's director of finance. Ms.
Roberts is a certified public accountant with 15 years' experience
in the nonprofit sector. She comes to CLIR from the National
Legal Aid and Defender Association, where she served as director
of finance. She has also held positions in finance and accounting
at the National Association of College and University Business
Officers and the Corcoran Gallery of Art.
Diane
Kresh has been appointed consultant to CLIR for a project to
develop The Whole Digital Library Handbook. The handbook,
which will be published by the American Library Association,
will be a practical guide for anyone who manages, works in,
or uses a digital library. It will be a compilation of facts,
lists, documents, "think" pieces, guidelines, "best-of-breed"
case studies, and humor. Perspectives offered will be both
national and international and will include examples drawn
from all types of libraries—academic, school, public, special,
and national. The book will also examine library education
and how we identify and nurture the library leaders of tomorrow.
Ms. Kresh is director of the Veterans History Project at the
Library of Congress (LC). The project is a nationwide volunteer
effort to collect and preserve oral histories from America's
war veterans. From April 1998 to June 2004, she served as LC's
director for public service collections. In that capacity,
she founded the Collaborative Digital Reference Service (now
QuestionPoint, a service jointly developed by LC and OCLC),
a project to build a global, Web-based, reference service among
libraries and research institutions. That accomplishment earned
her the 2003 Director's Award from the Virtual Reference Service.
^ Top
SCI3 Discussions Lively and Wide Ranging
by Amy Harbur
MORE THAN 40 scholars, librarians, administrators, and technologists
came together in mid-July at the University of Virginia for
a lively, three-day debate on the past, present, and future
of scholarly communication in the humanities. Moderated by
Bill Walker of the University of Miami, the gathering was the
third in the series of Scholarly Communication Institutes
(SCIs) supported by The Andrew W. Mellon Foundation. While
participants in the 2004 Institute had focused on a single
field—practical ethics—the net was thrown far wider at the
2005 session. Rather than concentrating on a single discipline's
expectations of digital scholarship and methods for harnessing
it, deliberations centered on the notion of digital scholarship
itself: its uses, its vices, its possibilities and consequences,
its sustainability—even its very definition.
Four institutions—the University of Virginia, Emory University,
Indiana University, and Wheaton College—sent teams to SCI3.
Each team included a senior scholar, a senior administrative
officer, the college or university librarian, a technologist,
and a student. Several other institutions and organizations,
from the University of Nebraska to the American Council of
Learned Societies, sent individual representatives.
The Institute's opening session featured Stanley Katz of Princeton
University and Donald Waters of The Andrew W. Mellon Foundation.
Their comments on digital scholarship set the framework for
the next two days' discussion.
Waters asked participants a basic question: What is digital
scholarship? Does it encompass any type of work done on a computer,
or does it mean something more—as he put it, that "rarer and
more peculiar case where the research agenda is framed and
formed by what we can do with computers." He cited advances
in the field of archaeology, listing several ways in which
scholars in that field are using digital scholarship to create
their own resources. They are using digital technology, he
said
. . .to build new fields and subfields of study by
systematically identifying relevant evidence and related work
. . . to create new resources of evidence that will open or
reinvigorate fields of study . . . to develop collaborative
structures for richer and more-detailed analysis of related
but distributed data sets . . . to reshape the stewardship
of and access to archaeological collections around content
rather than format . . . and to visualize and test hypotheses
and theories by assembling virtual reconstructions of sites
based on available evidence.
Because such work can be carried out and advanced only with
the aid of digital technology, it deserves the designation
of "digital scholarship," Waters argued.
But the opportunities afforded by this new form of scholarship
come with risks. Katz raised several issues that merit consideration:
the notion, whether real or imagined, that there is a "crisis"
in academic publishing in the humanities; the changing economics
of providing library services in a digital environment; and
the problems individual scholars face as they struggle with
matters of technology, facilitation, collaboration, compensation,
promotion, and tenure. Katz urged participants to think about
how their professional societies might provide the leadership
needed to address these issues and to advance digital scholarship.
He also warned that scholars in the humanities "haven't done
well on a national basis in establishing what we're about,
where we're headed, and what we need to do to get there."
That lack of clarity was mentioned repeatedly as the conversations
continued over the next two days. At one point, Charles Henry
of Rice University noted that his own research showed that
this discussion had been going on in the humanities and social
science communities for 40 years. But that doesn't mean, he
added encouragingly, that there hasn't been progress. The larger
environment has slowly but measurably changed over time, and
it is significantly more ready and able to support real advancements
in digital scholarship now than it has been in the past. Projects
such as JSTOR, DLF Aquifer, and Google Print, which weren't
even conceivable a decade ago, have transformed scholarship,
Henry maintained. Moreover, similar initiatives are springing
up all over.
As SCI3 drew to a close, participants reflected on the future
of digital scholarship in the context of its past and present.
Although plenty of troublesome topics remain, including concerns
over copyright, the general feeling was one of optimism. Participants
realized that the growing amount of experience among those
working with digital scholarship can now augment the nearly
boundless enthusiasm for it. Scholars are at last seeing the
rise of an "older generation," able to pass on lessons learned
and to provide a foundation from which current and future generations
may build to ever-greater heights.
^ Top
SAVE THE DATE! April 7, 2006
CLIR's annual Sponsors' Symposium will take place in Washington,
D.C., on Friday, April 7, 2006. Watch for details in the next
edition of CLIR Issues.
^ Top
CLIR Receives Mellon Award
THE COUNCIL ON Library and Information Resources (CLIR) has
received a $750,000 grant from The Andrew W. Mellon Foundation
to support general operations in 2006. The award will allow
CLIR to launch a new, three-year agenda for work in four areas:
place as library, scholarly communication, preservation and
stewardship, and leadership (see "CLIR Launches New Agenda," page
1).
"CLIR now has a fresh strategic plan, an expanded Board, a
growing body of sponsors, and a partnership with two recognized
scholars as Visiting Fellows," said CLIR President Nancy Davenport.
"As we prepare to celebrate our 50th anniversary in 2006, we
thank the Mellon Foundation not only for this new grant but
also for the generous support and guidance it has provided
over the past decades."
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