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<oembed><version>1.0</version><provider_name>CLIR</provider_name><provider_url>https://www.clir.org</provider_url><title>CLIR Annual Report: 2000 - 2001 &bull; CLIR</title><type>rich</type><width>600</width><height>338</height><html>&lt;blockquote class="wp-embedded-content"&gt;&lt;a href="https://www.clir.org/pubs/annual/previous-annual-reports/annrpt2000/preservation/"&gt;CLIR Annual Report: 2000 &#x2013; 2001&lt;/a&gt;&lt;/blockquote&gt;
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&lt;/script&gt;&lt;iframe sandbox="allow-scripts" security="restricted" src="https://www.clir.org/pubs/annual/previous-annual-reports/annrpt2000/preservation/embed/" width="600" height="338" title="&#x201C;CLIR Annual Report: 2000 &#x2013; 2001&#x201D; &#x2014; CLIR" frameborder="0" marginwidth="0" marginheight="0" scrolling="no" class="wp-embedded-content"&gt;&lt;/iframe&gt;</html><description>Preservation Awareness Recorded Sound in Peril Recorded sound exists on a variety of fragile media&#x97;wax cylinders, cassette tapes, lacquer disks&#x97;that pose urgent physical preservation problems. The challenges to preserving recorded sound collections, however, extend far beyond the fragility of formats. The media depend on playback hardware that goes quickly out of use. Basic intellectual controls Read More</description><thumbnail_url>https://www.clir.org/wp-content/uploads/sites/6/anrpt2000-banner.gif</thumbnail_url></oembed>
