Kathlin Smith

By Charles Henry Reading CLIR’s Annual Report for 2013 , I was struck by the wide reach of our programs, and the number of grants, fellowships, and

By Katherine Akers Among the obstacles to a more robust culture of research data sharing and preservation, one that stands out to me is the

By David Pierce Public interest in silent films has never been higher, it seems, than today. Beautiful restored copies are released on DVD and BluRay,

By Rachel Frick This week I had the opportunity to participate in the second meeting of Aligning National Approaches to Digital Preservation (ANADPII). For background on this

By Spencer Keralis For the past two years, starting as a CLIR Fellow in 2011, and continuing in my current role as director for digital

By Carrie Rampp How might liberal arts colleges collaborate in support of digital scholarship?Are there inherent strengths of liberal arts colleges that, together, we can

By Gabriela Redwine When Tony Geiss (1924-2011), an American songwriter and staff writer for Sesame Street, wrote a song called “Don’t Eat the Pictures” to

By Bethany Nowviskie Here’s a consummation devoutly to be wished: digital humanities research and practice becomes its best self, and finds scholars and technology staff

By Charles Henry The term big data is popular today, as our world accumulates unprecedented amounts of information—approximately 2.5 quintillian bytes per day (2.5×10 18). Fields of

By Alexandra Bolintineanu I came to CLIR by a long and winding road. From the Philadelphia airport, my cab and I drove through a darkened

By Helen Norris In late July, the Regents of the University of California nominated and confirmed Janet Napolitano to lead the university system. This is

By Rachel Frick Last summer, a DLF community member emailed me to ask whether DLF had a code of conduct or other anti-harassment policy. He