Number 157 / September-October, 2025
In Making the Case for Hope: The Idea of a Not for Profit in a Fractured Time, CLIR President Charles Henry reflects on hope as as a sophisticated cognitive strategy. He writes, “Hope, defined in general terms as an optimistic state of mind based on an expectation of positive outcomes in respect to events and circumstances in one’s life or the world at large, often inspires us to adjust the focus of our human agency and our place in the world in order to effect a different, more salutary outcome in the face of prevailing detrimental challenges.“
CLIR was thrilled to welcome Shaneé Yvette Willis as the new Senior Program Officer for DLF in early September. Shaneé (pronounced SHAW-nay) sat down with CLIR Issues for a get-to-know-you chat.
You’re coming to DLF with experience as an archivist, a professor (both in-person and online), director of community engagement at the Digital Public Library of America (DPLA), and managing programs at the HBCU Library Alliance. Tell us a little about how these experiences will inform your work as the Senior Program Officer for DLF.
Each of those roles taught me how people and institutions connect and make information available. As an archivist, I learned the importance of preservation and context. Teaching both in person and online reminded me that engagement looks different depending on access and environment. At DPLA, I focused on building inclusive partnerships at a national scale, and at the HBCU Library Alliance, I had the privilege of designing programs that combined professional development, equity, and digital innovation. These experiences reinforced for me that our field thrives when communities see themselves in the work we do, and that’s a perspective I’ll carry into DLF’s programming and community engagement.
DLF’s mission is to “advance research, learning, social justice, and the public good through the creative design and wise application of digital library technologies.” What parts of this mission speak to you most? What are you most looking forward to in your new role?
I feel a strong connection to the call for social justice and the pursuit of the public good. Technology has the potential to either isolate or liberate us, depending on how it is designed and utilized equitably. I am eager to support DLF members as they integrate equity and sustainability into their work. I am particularly excited about amplifying working groups and collaborations that transform big ideas into practices that benefit entire communities.
What advice would you offer to an early career librarian or archivist starting out in today’s field?
Don’t be afraid to carve out your own path. The opportunities are bountiful, and the skills you acquire whether in digital projects, community engagement, teaching, or preservation, are transferable. So move around, say yes to opportunities to learn everything available to you. Ask questions, and seek out mentors who can help you in navigate institutional cultures. Walk in the room like you’re meant to be there. When you are in the room, speak up, share your perspective. Institutions evolve when new voices contribute fresh ideas and energy.
Now a fun question: what kind of pop culture and media have you been enjoying lately, and how is that informing your thinking about digital librarianship and GLAMs?
Recently, I have become obsessed with storytelling that questions our use of technology. The sci-fi dramedy Demascus on the free streaming app Tubi is fascinating because it explores topics like mental health, technology, cultural heritage, and friendship. It is the only show I’ve seen that depicts an exciting integration of AI and autonomous technology into our everyday lives, which actually makes me more optimistic about the future. I would love to have the show’s AI assistant named Shekinah! With one episode left (my husband forced me NOT to binge the whole thing) Demascus has made me think about the future of digital libraries, user expectations, and how we’ll be inspired to preserve and promote culture in innovative ways.
My most recent read is the latest from the bestselling journalist and creator of the UNDER THE INFLUENCE podcast, Jo Piazza. Her #tradwife thriller Everyone Is Lying to You blew my mind about our use of social media and the blurred lines between authentic storytelling and strategic persuasion. As a new parent, I’ve been susceptible to and skeptical of influencer marketing and the Mommy creator economy. This murder mystery raises important questions about religion, gender expectations, patriarchy, personal ambition, economic inequality, the devaluation of caretaking in our culture, and the power of effective communication and cultural narratives we’re currently grappling with. The story revolves around a massive annual influencer conference and with extravagant sponsored swag and covert networking opportunities rife with hierarchy and hidden agendas. It made me think deeply about how DLF gathers as a community and what maintaining healthy connection requires of us.
Finish this sentence: at the DLF Forum, come ask me about…
….building bridges, with institutions, communities and ideas.
REGISTER FOR THE DLF FORUM: Registration for the DLF Forum and affiliated events is open until Friday, October 31st. Don’t miss the chance to join us in Denver!
TRANSFORMATIVE COLLABORATION: CLIR and the Integral Ecology Research Network (IERN) have formed a strategic partnership fostering global collaboration and advancing socio-ecological transformation. Read more here.
FUNDING OPPORTUNITY: Digitizing Hidden Collections: Amplifying Unheard Voices is accepting initial grant applications through October 20th, 2025. See details on how to apply here.
CALL FOR PROPOSALS: The thirteenth cycle of CLIR’s Recordings at Risk program will open for applications on November 3rd, 2025. Stay up to date on the program page.
INTERNATIONAL COOPERATION: CLIR and the Bibliothèques national de France (BnF) have signed a memorandum of understanding supporting data-sharing between the Digital Library of the Middle East (DLME) and Bibliothèques d’Orient. Learn more.
READ: CLIR’s latest pocket burgundies, An Overview of Emulation as a Preservation Method and Archivist Actions, Abolitionist Futures, are now available.
WELCOME: We’re thrilled to welcome our newest CLIR Sponsor, University of Victoria, and our two newest DLF members, Arizona State University and the University of Cincinnati!
CONGRATULATIONS! Mackenzie Cooley and Hannah Marcus, both graduates of the CLIR Mellon Fellowship for Dissertation Research in Original Sources, are among the recipients of the 2025 Dan David Prize.
The Call for Proposals for the 2026 IIIF Online Meeting is now open. The 2026 Online Meeting will be held January 27-29, 2026 and will follow a “Working and Learning” theme, with a program built to provide attendees with a look into new and innovative IIIF projects, implementations, developments, and tools, as well as opportunities to learn new skills. We’re looking for proposals to fit the theme in two formats:
To read the full call for proposals, including information about themes, proposal instructions, and other important details, please visit our website. Submissions are due by November 3, 2025.
The Call for Proposals for the 2026 IIPC Web Archiving Conference is now open. The conference will take place at KBR, the Royal Library of Belgium, in Brussels, April 20-23, 2026. We invite submissions that focus on all aspects of sustainable web archiving. Submissions are due by October 15, 2025.
The CLIR Grants Team will be exhibiting at ATALM 2025, October 7-9 in Cherokee, North Carolina. Stop by our table to say hello!
Caitlin Perry will host a IIIF SIG meetup and coffee break at the Museum Computer Network, October 20-22, 2026, in Minneapolis, Minnesota.
Martin Kalfatovic, Glen Robson, and Olga Holownia will be at iPres in Wellington, New Zealand November 3-7.
The CLIR Grants Team will be at the 2025 National Women’s Studies Annual Conference in San Juan, Puerto Rico, November 13-16.
The entire IIIF team will be at Fantastic Futures 2025 in London, UK, December 3-5.
In recognition of LGBTQ+ History Month, we are spotlighting the Texas Archive of the Moving Image’s project “Reclaiming and Sharing LGBTQ+ History from the KPRC-TV Houston Collection.” With funds from Digitizing Hidden Collections: Amplifying Unheard Voices, this project is working to digitize and provide access to films and videos from the archive’s KPRC-TV Collection that document Houston’s LGBTQ+ community.
The team shared, “We are excited to see footage of Houston’s Pride Parades from a variety of years including the first official parade in 1979 and the 1983 parade headlined by Tina Turner. Another area of interest is footage of Q-Patrol, which was formed by the members of Queer Nation Houston in response to the high rates of hate crimes, to protect members of the LGBTQ+ community.” You can view materials related to LGBTQ+ culture from all TAMI’s collections here.
Shaneé Yvette Willis to Join CLIR as new Senior Program Officer for DLF – August 25, 2025
CLIR Funds 21 Digital Reformatting Projects Through Recordings at Risk – August 4, 2025
Mellon Foundation Funds Two Additional Cycles of CLIR’s Recordings at Risk Grant Program; CLIR Opens Competition to Canadian Applicants – July 17, 2025
See all CLIR News here.
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