A Kit for Hosting “Speaking in Code”
By Bethany Nowviskie This is a belated follow-up post to last autumn’s “How We Learned to Start/Stop Speaking in Code,” in which I described the motivation
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By Bethany Nowviskie This is a belated follow-up post to last autumn’s “How We Learned to Start/Stop Speaking in Code,” in which I described the motivation
By Anne Foster The Yellowstone National Park Archives has begun blogging about it’s Hidden Collections project, “Using a Team Approach to Expose Yellowstone’s Hidden Collections.”We’vedesigned
By Elizabeth Waraksa In his 2012 article, “Embracing Hybridity: The Merged Organization, Alt/Ac and Higher Education,” CLIR Distinguished Presidential Fellow Elliott Shore urged library administrators
By Amy Chen The Rare Book and Manuscripts Section (RBMS) of the Association of College and Research Libraries met for its annual conference June 24-27
By Stephen Nichols The Romance of the Rose was the most popular vernacular work in the Middle Ages. It was also one of the longest at some
By Jon Dunn I recently returned from Helsinki, Finland, where I had the pleasure of attending the 9th annual International Conference on Open Repositories (OR2014). This year’s
By Charles Henry On the first day of discussions at the recently concluded Leading Change Institute (LCI), participants were asked to identify challenges they believe
By Joseph Shelley We just wrapped up the 2014 CLIR/EDUCAUSE Leading Change Institute. This institute brought together a talented group of higher education library and
By Hannah Florence Marcus As I enter into the final months of my CLIR fellowship, it is a treat to reflect on the diversity of
By Fred Moody Our just-concluded stint as guest editors of Archive Journal‘s new issue, entitled “Publishing the Archive,” has proven sobering and instructive, to say the
By Bethany Nowviskie This is a brief post meant to direct your attention to an almost equally brief letter—and to an issue of likely interest to
By Matthew Peek The Montana Historical Society (MHS), recipients of a 2012 CLIR “Hidden Collections” grant to process the Lee Metcalf Photograph and Film Collections,
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